Phillip has been a Dungeon Master since the days of the Red Box Edition. Loving Eberron for 10 years, and converting everyone one he can to Savage Worlds since he received his Adventure Edition rewards from Kickstarter. When not plotting to kill his players by the Emerald Claw or Dreaming Dark, he likes gardening, reading, cooking, watching movies, playing video games, diving into deep personal growth, and leading men’s retreats.
Michael has been at both sides of the gaming table since becoming enchanted with the Eberron world three years ago. He received his introduction to Savage Eberron via the characters of Quentin and Ivello in Seekers of the Ashen Crown.
Ernesto is a loquacious and easily excitable roleplayer from a far off land known as Uruguay. His tabletop journey began in 2017, but he didn’t fulfill his dream of finding a long-term group until he stumbled upon the Savage Tales of Eberron crew. After a year of filling the role of Aruget – an honourable hobgoblin with a thirst for single combat – Ernesto was finally able to say he’d achieved that goal…but not without the desire for more. Rumour has it that he loves to dance in elevators when there’s no one else on board, and that a chocolate bar left his in his house will not survive longer than 24 hours.
Kevin is new to the Savage Eberron table. He has been playing in Eberron since the Summer of 2020, and is now a sometimes DM on top of playing in that world. His first long foray into TTRPGs was the White-Wolf game Exalted. When not tossing math rocks, he might be spotted enjoying various dark caffeinated beverages.
Elly has been adventuring in Savage Eberron since August 2020. An avid roleplayer who loves talking about Savage Eberron to anyone who will listen, she is the primary author of this blog and has really enjoyed finding this new outlet to support her lifelong love of writing. When not at the game table (or writing about it), Elly can be found painting miniatures, playing video games, knitting, cooking, and tending to what some might call far too many houseplants. Her orchids are doing great, by the way.
Savage Tales of Eberron is a labour of love which Elly has been writing since April 2021. Originally created as a place to house her session recaps and mechanics talk, it’s now expanding to include an actual-play podcast of our tables continued adventures in Eberron using the Savage Worlds system. There’s a good deal of content to sift through already, so let’s get you started!
Campaign 1: Seekers of the Ashen Crown (text recaps only)
This epic, 45-week journey took the party from Sharn to Droaam and back again. It’s a story of hair-raising battles, hidden motives, friendship and treachery, and the fluid nature of honour. Click here to get started.
Campaign 2: Mourners of Lhazaar
Coming soon! Beginning Wednesday, Sept. 22, we’ll be taking to the high seas and the first text recap will be available through the drop-down menu at the top of the front page Session Recaps.
Savage Tales of Eberron: An Actual Play Podcast
Beginning Friday, Sept. 24, Mourners of Lhazaar‘s first session will also be the inaugural episode of our new actual play podcast, found under the Podcast –> Episodes menu.
Table Talk: Playing Savage Worlds
This category features dedicated mechanics articles that take a deeper dive into core aspects of Savage Worlds, such as hindrances, bennies, and cinematic combat.
Yes, you heard that right. I am delighted to finally be free to announce that the newest project on the Tales crew’s slate is a weekly, actual-play Savage Worlds podcast set in Eberron! While the text-based recaps (and attached mechanics talks) you all know and love will continue to be posted every Wednesday as usual, you’ll now have the chance to enjoy our actual sessions, in full, start to finish. Join us as we laugh, cry, make questionable decisions, and discover new and creative ways to throw curveballs at the GM. You won’t regret it.
The first episode is slated to launch in late September/early October. You’ll be able to access it here, and we are planning to make the show available on streaming services such as Spotify soon after. Keep watching this space for updates on where to find Savage Tales of Eberron for your listening pleasure.
New Names, Old Faces
You’ve probably noticed that this site hasrebranded to Savage Tales of Eberron. This was a choice we made together to unify the site, recaps, and podcast under one umbrella.
As well, I’ve updated a few things to keep site navigation streamlined as we add a new campaign, and a new section for the podcast. The recaps for Seekers of the Ashen Crown and Mourners of Lhazaar campaigns are now accessible through the Session Recaps menu, and the archives are now housed under their own drop-down menu on the sidebar. The url hasn’t changed, so all that tasty content is still (mostly) all in the same place! It’s just becoming a bit better organized as we continue to grow, and as always, I’m really excited that you’ve chosen to join us on this journey.
While the Savage Eberron community is still a small one, it continues to slowly but surely grow. Since 2019, gamemaster Dylan Ramsey and the Pizza Party have been doing their part with an epic, evolving story that’s taken them all across Khorvaire and beyond, with Savage Worlds Adventure Edition helping them get there. Dylan is an accomplished GM, skilled storyteller, incredibly talented artist, and this past year he has twice lent his voice and acting chops to portray plain, simple tailor Deven Sar’kaas in the collaborative campaign hosted by Eberron creator Keith Baker for his Patreon supporters. I had a chat with Dylan about our mutual love of Savage Worlds, the adventures of the Pizza Party, and a slightly distressing coincidence of sorts involving an eel. Enjoy!
Dylan, which came first in your life, Eberron or Savage Worlds (and how did you get from one to the other)?
DR: Oh, Eberron, for sure! I’ve been an Eberron fan since I was in elementary school and remember carrying around that original campaign book just about everywhere. Granted, I never PLAYED a game in Eberron until after I discovered Savage Worlds (via the actual plays of Saving Throw Show). After my group finished up our last campaign in 2019, I was glad they decided to give a new system and a new world a shot with me for Towering Tales.
Excellent. It hooked you in pretty quick, then! So, why do you love Savage Worlds as a vehicle for Eberron so much?
DR: The mechanics really do it for me on a lot of levels. Edges and hindrances help get across that pulp-noir feel of Eberron (no hero is perfect), and are just a great foundation to build characters off of in general. You can really mix and match them and make just about any character you can imagine – and there are A LOT of characters you can imagine in a setting like Eberron. Bennies and exploding dice are also some of my favorite game mechanics ever. I love being able to reward players in a meaningful way and for the dice to be able to REALLY tell a story when they decide to keep on acing (or critically fail)!
You have been running and chronicling a Savage Eberron campaign called Towering Tales for over a year now. How would you describe Towering Tales in five sentences or less?
DR: Oh gosh, over TWO years at this point–where did the time go?! Towering Tales is an odyssey of love, war, and hijinks, all tying back to a conspiracy of nightmare spirits pulling the strings of the waking world to try and save their own from utter annihilation. Over the course of the campaign, the Pizza Party have encountered everything from pint-sized velociraptor luchadors and flumph-based vigilantes, to dancing leprechaun slavedrivers and a warforged detective who goes off on monologues at the drop of a hat. I love blending drama and silliness to really get players invested in the world, and it’s definitely worked out! So if that sounds like your cup of tal, get ready to laugh, cry, and lie awake at night wondering how in the world my players get away with some of these ideas.
What’s the hands-down best thing that’s ever happened in Towering Tales? I guess if you have to you can pick more than one moment. But it’s okay to say you have a favourite. I won’t tell your players, I swear.
DR: Dramatic: picture a runaway lightning rail emerging from the dead-gray mist of the Mournland. A warforged boxer named Crown is locked in combat with warforged fanatics atop the speeding car, electricity arcing all around them; while inside, Waxillium d’Cannith (whiskey-loving lawman and team dad) tries to defuse bombs rigged to explode when the train hits Vathirond station! I ask Wax’s player to make a Vigor roll. CRITICAL FAILURE! I read verbatim from the book: Wax WILL die by session’s end. His friend, the drow fashion designer Lana, swoops in to try and help him as he begins bleeding profusely from the toxin the Lord of Blades injected him with, but he asks her to give his final regards to their friends and pushes her off the train. Wax takes one last swig of whiskey and tells his dead wife that they’ll be together again soon as he derails the train at the last possible second and saves the city. A sobbing Lana is silhouetted against the explosion, vowing never to let this happen again.
Silly: probably that time they yanked an eel out of an undead fishman’s butt and then shoved a staff up there, which they promptly used to summon a couatl INSIDE the dude, causing the necromancer to explode in a burst of radiant energy! I guess you could say they rekt ‘im.
Okay, first of all, I’m just gonna point out that my very first TTRPG was Jason Statham’s Big Vacation, and one of the random complications you can roll for a scene is eels. So while I am kind of grossed out by this story, I also feel a strange connection to it. Anyways, last question: where can people find the full and continuing adventures of the Pizza Party? Shamelessly advertise yourself, my friend. I’m here for it.
DR: A scene with eels is such an oddly specific complication… But hey, here’s a handy-dandy link to the main session directory. That page includes links to every session recap, as well as to the player character pages, which list their edges, hindrances, advances, etc. We play pretty much every Friday, and I usually have new recaps done by Monday. I foresee things getting even more insane as we speed on towards session 100 and the fate that awaits the Pizza Party at the end of this road, so stay tuned. Whether you pick things up at session 1, 21, 65, or anywhere in between, I hope you all enjoy reading about whatever happens NEXT TIME ON TOWERING TALES!
That’s all for now, folks! Keep your eyes on this space later this week for more pre-campaign planning…and a very exciting announcement.
It’s finally time for that new campaign I’ve been talking up for weeks, which means it’s time for a fresh cast of characters. As we prepare to take to the high seas of the Lhazaar Principalities, I want to take a look at the single biggest aspect of Savage Worlds that vexed me the most as a new player: building a character.
My TTRPG experience prior to taking up Savage Worlds was largely one of what I like to call “plug and play” character creation. Powered by the Apocalypse uses “playbooks”, pre-built archetypes that the player selects a small set of abilities from but are otherwise clearly defined in terms of a characters build and purpose and even include guidance on how to roleplay each archetype. Dungeons & Dragons fifth edition provides players with more flexibility in the form of subclasses, feats, etc., but still holds to some hard and fast truths. All paladins can smite, all rogues get Sneak Attack, and all characters across all classes have the exact same set of skills, albeit with varying degrees of proficiency. Bards have access to different spells than wizards, wizards can swap out their prepared spells after a long rest, and if your table allows feats, that’s a whole other area to explore. But my point is that, at the end of the day, the bard can’t ever smite, the wizard can’t ever make a sneak attack, and the rogue is getting Uncanny Dodge at level 5 no matter what. Even with considerably more flexibility than the afore-mentioned Powered by the Apocalypse, 5e is still at its core built around archetypal character classes designed to stay in very particular lanes. And I have no problem with that; it’s a good and valid way to approach tabletop gaming that many players (this is an understatement) enjoy and have lots of fun with (I personally love a good game of Masks, in which I’ve been using the Delinquent’s playbook). But Savage Worlds has a different appeal.
Savage Worlds doesn’t so much ask the player what role they want to fill as it asks them who they want to be. With a point buy system that allows and encourages players to invest in a wide variety of skills, edges, and powers, everyone begins with a d4 (basic training) in five core skills, but from there the world is your oyster. If your dream is to play as a traveling storyteller who is adept at navigating the seedier parts of town and might not be the best fighter but knows how to control the flow of battle so that their companions can more effectively dispatch the bad guys, there is absolutely nothing baked into Savage Worlds that is stopping you from doing that and being supported by the mechanics while doing it. How you play your character depends heavily on how you choose to customize them.
With that in mind, there are certain guidelines for character creation that are encouraged by both the core rules and my GM. Let’s take them from the top!
Who do you think you are, anyways?
With so many choices in play, where does one start to figure out what their character is going to look like? The recommended answer is to first determine your race (human, elven, dwarf, etc.) and hindrances. You can take as many hindrances as you like, though you can only use up to four points worth of hindrances to trade for an attribute increase, more skill points, or an edge. Choosing hindrances early on will help you narrow down what skills and edges matter to your character, and when it comes to edges, there are quite a few that can actually compliment hindrances! A character who is Hesitant is required to draw two Action Cards and choose the lower of the two…but if she is also Calculating, she receives an advantage if her Action Card is five or less. Not only do that hindrance and that edge feed each other mechanically, they also tell a great story.
Next up is to determine how to distribute your attribute points. Your Agility, Smarts, Strength, Spirit, and Vigor all start at d4 and serve as a baseline for how costly it will be to increase their linked skills, and there are attribute prerequisites for many edges. With the Multiple Languages setting rule in play, the size of your Smarts die will also determine how many languages you can start the game with at no additional points cost.
Then comes choosing and increasing your skills. Every player character begins with a d4 in five core skills: Athletics, Common Knowledge, Notice, Persuasion, and Stealth. Depending on what setting your game is using, you could find yourself choosing from a pool of two dozen more skills — or more, or less, depending on the game world. While it’s possible to overdo it by spreading yourself too thin, I would suggest that Savage Worlds rewards diversifying your build as opposed to pumping points into maximizing a small number of skills. Core rules allocate twelve points for skills at character creation, with the possibility of an optional setting rule that allocates fifteen points to start, and the option of using hindrances to buy more.
Next come edges. Edges are special abilities that confer bonuses like improving skill checks, the ability to take actions that you wouldn’t normally be able to, penalty reductions, improved resistances, better outcomes from certain roleplaying scenarios, and more. As per the core rules, if you purchased points through hindrances (up to four points total), you can use those points to take up to two edges at character creation. Typically, that means that you can only take Novice edges, and will still need to meet any attribute or skill requirements as well (e.g. the Charismatic edge can be taken at Novice rank, but requires a d8 in Spirit). I say “typically” because my GM is partial to the setting rule Born a Hero, which waives the rank requirements for starting edges, opening up even more ways to tell your story from the beginning.
Edges are, in my opinion, the best argument for a practice my GM strongly encourages: planning your advances ahead of time, to the tune of ten advances or more. While this plan will almost certainly change over time as your role in the story evolves, having it in place will help ensure that are largely able to meet all the skill and attribute prerequisites in order to take the edges you want, when you want, and will also save you a lot of frustration and (if you’re anything like me) decision paralysis. Take it from someone who knows.
The last thing to do is purchase your starting gear. At my Savage Eberron table, everyone starts with 300 galifars (gold pieces) to use at their discretion. You can immediately spend as much or as little of those starting funds as you like, on whatever you like. What does it make sense for your character to have on their person when they join the party? What sort of eventualities are they prepared for? What matters to them? Answering those questions will help you decide how to spend — or hoard — your starting funds.
Introducing Daina ir’Lizani: Soldier, Sailor, Leader.
So what does all this jargon look like in practice? Glad you asked! My new character, Daina ir’Lizani, is a human war deserter from the dead nation of Cyre who has found a new purpose as a champion for her fellow survivors, and now seeks to carve out a piece of land in the Lhazaar Principalities that the good people of Cyre can call their own. Pre-emptively elected as the future captain of the ship the party will inevitably commandeer, Daina is built for leading, commanding, and supporting Extras and Wild Cards alike in and out of battle. Her Code of Honor (major hindrance) compels her to keep her word, treat prisoners fairly, and behave according to her beliefs of what a gentlewoman should be. Her Vow (minor hindrance) is to her friends and her crew, to put their needs first and keep them safe and prosperous and seek to help them achieve their own goals and purposes. And because everyone has a “tell”, when Daina is concentrating or focusing on something, her Quirk (minor) leads her to idly play with the hilt of her tago knife — a ceremonial dagger used in the traditional Cyran courtship dance, a gift from her late husband, and a gesture that could be easily misinterpreted as a threat if whomever she’s speaking with does not recognize the knife’s innocent purpose. Here’s what all that looks like as a Novice:
First of all, you may have noticed that the base math for attribute points doesn’t line up here. As a human, Daina’s Adaptability gives her the choice of starting with a d6 in the attribute of her choice (as opposed to the standard d4), and she used two points from hindrances to get that second d8. So that’s how she is able to start with a d8 in two attributes.
The skills are business as usual, using the optional setting rule that allocates fifteen points instead of twelve. With five new skills in addition to the core set, plus the three additional language choices granted by Multiple Languages, this distribution takes into account the edges she wants to gain within the next two ranks and how to get there without feeling like she’s just treading water while getting set up. This particular assortment of skills also reflects her military background and experience as a sailor.
Next up are her starting edges:
Alright, this one’s gonna take some explaining.
First things first: a staple of my GMs games is everyone getting Hard to Kill as a free edge at character creation. Hard to Kill removes wound penalties from the Vigor roll needed to determine whether or not an incapacitated Wild Card lives or dies (and, if they live, how badly injured they’ll be as a result) and gives players a fighting chance against what is otherwise a very ugly death spiral.
For this campaign, we were each also given a free class, background, or professional edge. For Daina, that’s Savage Pathfinder’s Fighter edge…with a few changes. There’s been a lot of debate in the community about the balance of class edges, and this is one of several which my GM adjusted for our table. With that caveat, Martial Flexibility and Combat Training are both benefits of this customized version of Fighter (the original design only grants Martial Flexibility). Two Weapon-Fighting and Command round out the group thanks to the other benefit of Adaptablity (all humans receive a free edge at character creation), and my remaining hindrance points.
Finally, we have all the gear an itinerant sailor needs:
Daina’s starting inventory tells a story. The rapier with its +1 parry bonus seemed like a natural choice for an accomplished swordfighter. The grappling hook, rope, tinderbox, whetstone, and whistle are all handy things to have at sea, and the navigator’s tools give a +1 to Survival checks used to read maps and charts and determine a sense of direction. Since I will be making all those checks at an Untrained d4-2, navigator’s tools were an easy choice for this ship’s captain to have in her arsenal. The flute is a nod to the famous Star Trek: The Next Generation episode “The Inner Light”, but without any training in Performance, I suspect that playing the flute will be something Daina enjoys but does very poorly.
You may have noticed a glaring lack of any sort of armour. That is a conscious decision on my part at the moment, with the campaign expectation that we’ll be spending a lot of time at sea. An armoured character falling overboard is probably going to have a really bad day, and to help support the story of it being rather impractical for a sailor to wear anything that could drown them, the setting rule Unarmored Hero is in play (+2 on soak rolls when not wearing any armour).
The lion’s share of my starting funds went towards Daina’s tago knife and locket. Both items with profound personal significance, the tago knife’s handle is quite ornate and the locket contains a minor illusion. You’ll be learning more about that locket as the campaign progresses.
Everyone has a story to tell.
When people ask me why Savage Worlds has become my preferred TTRPG system, I have one consistent answer: for me, it hits the sweet spot between the mechanics supporting the story and the story supporting the mechanics. I think this is particularly evident in how characters are created and built, the customization available to all characters, and the flexibility and diversity the system provides and encourages. It can take some doing to figure out exactly how to arrange the mechanics of it all in order to match your story, but it’s worth it in the end.
Interested in experimenting with building a Savage Worlds character? It’s easy to get started on savaged.us! The Savage Worlds Aventure Edition and Savage Pathfinder core books are available on peginc.com and DriveThruRpg. (Note: Savage Pathfinder includes the Adventure Edition core rules, so you do not need to purchase both books in order to get all the content.)
Though our plans for the next Session 0 continue to be foiled by Hurricane Ida, new Eberron content is always on the menu! I recently sat down with Rebecca and Steve, the creators and hosts of a wonderful podcast called Eberron: A Chronicle of Echoes and we took a deep dive into Steve’s weird relationship with pizza, the Jason Statham cinematic universe, and, or course, Savage Worlds.
Eberron: A Chronicle of Echoes began a little over a year ago as a response to the question “what if talk radio existed in Eberron?” In character as a pair of House Sivis gnomes named Sylas and Alufi, hosts Rebecca and Steve present and explore Eberron lore – with a few twists of their own – and more often than not with special guests from the Eberron community lending their own voices, insights, and good times. It’s a fantastic project that’s built on collaboration and community, and if I keep saying nice things about it, they might ask me back one day. 😉